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TUCKER
Tucker: The Man and
His Dream is easily the most
underrated and the most charming of Francis Ford Coppola’s movies. He and
Jeff Bridges, as Preston Tucker, put a smile on your face and keep you smiling
throughout. Sticking to the basic bio, with a few embellishments for charm’s
sake (like Dean Stockwell doing a cryptic Howard Hughes), this is a movie
about a dream having become a joyous legend—promoting a car everyone
wanted but virtually no one got and yet everyone still loved the dreamer
for what he couldn’t quite deliver. Tucker, who died only 6 years after being
acquitted of fraud (criminal charges instigated by a fearful Detroit), has
been described by those who knew him as optimistic, a super salesman, ebullient,
without a trace of malice shysterism, and just how Bridges portrays him.
In addition, he and Joan Allen give 40s married life and love a nostalgic
tingle, enhanced by the stylized golden photography of Vittorio Storaro and
Dean Tavoularis’ evocative art direction. Tucker’s nemesis is cleverly played
by Jeff’s dad Lloyd Bridges; with Martin Landau, Christian Slater and, as
a maid, Patti Austin. Of the 50 Tuckers eventually made, 46 remain in drivable
condition; meant to be priced at only a $1,000 each, the real
cost—calculated on the roughly $29 million dollars Tucker raised through
stock investing, franchises and other promotions—comes in at $510,000
per. Stockwell won the National Society of Film Critics and the N.Y. Film
Critics Circle award for best supporting actor for this and Married
to the Mob.
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